Production Information
SOUND and LIGHTING SYSTEM SPECS and BACKLINE INVENTORY
updated 7/01/07
MAXIMUM SPL: The Belly Up ASPEN must maintain a strictly enforced maximum sound pressure limit of 105 dB (average) to 110 dB (max).
This limit shall be measured by the calibrated house SPL meter.
Technical Information
Front of House System
Consisting of, but not always limited to the following equipment:
- CONSOLE: AMEK RECALL RN56 (48 mono, 8 Stereo, 12 Aux, 8 Analog Subs, 8 Matrix, 8 Mute groups, 8 VCA’s and Virtual Dynamics on all 56 channel strips)
- EQ: (3) BSS FCS-966 Stereo 1/3 Octave Equalizers (one for Headliner, one for Opener, one center channel and one patchable).
- DYNAMICS: (4) BSS DPR-404 quad comp, (4) BSS DPR-504 quad gate, (2) BSS DPR 901ii multi-band compressor.
WAVES MAXXBCL Digital 96K/24 bit processor on main l/r inserts of FOH desk. - EFFECTS: (1)TC Electronic D2 Digital delay, (2) TC Electronic M1 Digital Reverb, (2) Yamaha SPX2000 Digital Multi-processor,
- OTHER: (1)HHB CDR 830 PLUS CD R/W, (3) CLEAR COM between FOH, MONITORS and LIGHTS .
Main Speaker Array
- DETAILS:(8 Total, 4 per side) QSC Isis Wideline with (4 Total, 2 per side) QSC 215PCM Processing Powered Sub Woofers.
- POWER: Per Side POTENTIAL 7400 Watts; Subs: 2200 Watts; LF,MF and 1300 Watts HF (Approx. 10,900W per side).
- CONTROL: (2) QSC BASIS 904 DSP Engines w/ proprietary DSP design w/ RAVE 161 front end.
- CONFIGURATION:The Sub woofers are isolated and under the stage in two groups of two, Stage Right and Stage Left.
- The Full Range Boxes are in two groups of four, hung just past the down stage perimeter, Stage Left and Stage Right.
- Flexibility: MONO SUB FEED, Subs-With-Stereo (full range) or a SUPPLEMENTAL Sub add in WITH Stereo.
Surround Speakers
- (4) QSC ISIS 152M 2 way carbon fiber cabinets to provide Rear Left, Rear Center and Rear Right fills accessed from 3 FOH Matrix Feeds.
Stage Monitor System
- CONSOLE: Soundcraft SM20/52 52 inputs, 20 mixes.
- POWERED MIXES: (12) (9 wedge, 2 side fill, 1 drum )AND (1) CUE WEDGE
- AMPLIFICATION: (14) QSC PLX3402 power amps (700 watts per side into 8 ohms)
- (one channel per driver in the monitor system)
- PROCESSING:(4)DBX 480 Digital Speaker Processors w/ 480R Remote Control Head.
- MONITORS: (13) RADIAN RMW1152 MicroWedge (including Cue) each with (1)15” driver & (1) Co-Axial 2” compression driver(bi-amped)
- (4)RADIAN RMW1122 MicroWedge each with (1) 12” Woofer and (1) 2” HF compression driver that are used with
- (2) RADIAN RPS-115 15” Sub woofer (Side Fill subs). (2) as Drum Fill subs.
- (4) QSC ISIS 152M 2 way carbon fiber cabinets (lf/hf for drum and side fills – front fills as required)
- MONITOR EFFECTS: (1) TC Electronic M1 Digital Processor.
- MONITOR DYNAMICS: (2) PRESONUS ACP-88 8 channel gate/comp.
Microphones and Hardware
- (2) AKG C430,(2) AUDIX D6,(4) SENNHEISER E609 SILVER ,(4)SENNHEISER MD421II,(2) SHURE BETA 52
- (4)SHURE BETA57 ,(8)SHURE SM57LC,(6) SHURE SM58LC,(6) SHURE BETA 58A,(4) SHURE SM81LC
- (2) SHURE BETA91,(4) SHURE BETA98DS,(2) SHURE U24D/58 Wireless (4 channels)
- (8) BSS AR-133 DI , (8) WHIRLWIND IMP-2 DI (1) AVALON U5
- (10) MS20E ATLAS MIC STAND,(8) MS10CE ATLAS MIC STAND,8 DMS10E ATLAS MIC STAND
- (2) AMS25 ATLAS MIC STAND, (18) 21100B ULTIMATE SUPPORT BOOM ARM
Stage Lighting
- CONTROLLER: AVOLITES Pearl 2004 console w/graphics tablet and 15”LCD Monitor.
- INTELLIGENT FIXTURES:(10) MARTIN MAC 250 Entour spots, (10) MARTIN MAC 300 Wash, (2) MARTIN MAC 550
- DISCO FIXTURES:(2)MARTIN Wizard Extreme.
- STATIONARY FIXTURES:
- (2) MARTIN Atomic 3000 Strobe,(6) ETC Source Four Ellipsoidal w/iris @575W, (14) ETC Source Four PAR @575W (front and side),
- (18) PAR 56 500 NSP,(3) PAR 46 ACL Bar (4×250).
- DIMMERS: (4)ETC 12 X 1.2kw SmartPack (57,600w of Dimmer capacity).
- HAZE: (1) JEM ZR 24/7 Pro Hazer w/DMX and Digital Remote Control.
Stage Power
- PERIMETER; (2) 110-volt/20 amp circuits distributed as down stage left and right of center and mid stage left and right on “floaters”.
- UPSTAGE; (4) 110 volt/20 amp circuits distributed up stage left and right on “floaters”.
- UPSTAGE; (1) 208 volt, 3 Phase , 100 AMP Service on CAM-LOC’s.
Our In-House Backline
Guitar Amplifiers
- (2) FENDER 65 Re-issue Twin Reverb
- (1) FENDER Blues Deville 4X10
- (1) MARSHALL JCM-2000 50 Watt w/ slant 4X12
- (1) ROLAND Jazz Chorus 120
Bass Amplifier
- (1) AMPEG SVT-2 PRO w/ SVT 810 Speaker enclosure
Keyboards
- (1) HAMMOND B3 organ w/25 position bass pedals and (1) LESLIE 122 speaker cabinet
- (1) KORG M1 Keyboard (functions as a MIDI controller only)
- (1) ROLAND RD-700 Keyboard / Controller
- (1) YAMAHA MOTIF ES-8 Keyboard / Controller w/ 512 Mb sample RAM
- (4)” X” stands, two single tier, two 2 tier, adjustable angle and spread on top tier
Drums and Percussion
- (1) DW “Red Onyx” CUSTOM RECORDING KIT Consisting of one each 20×22 Kick, 10”, 12”, 14”, 16” Toms, (6 X 14)Maple Snare, (3 X 14)Brass Snare, Roc-n-Soc Throne, DW 9000 series single & Double Kick Pedals
- Cymbal Compliment is one each Zildjian “A” Custom 20” Ping Ride, 19” Projection Crash, 18” Medium Crash, 16” Medium Cash, 14” Medium Crash and 10” Splash. One Set 14” Mastersound Hi Hats.
- (6) DW 9000 series Boom Cymbal Stands
- (1 set) LATIN PERCUSSION Timbales,
- (1 set) LATIN PERCUSSION Congas, Natural Finish inclusive of 1 each Conga, Tumba and Quinto with 3 floor stands.
- (1 set) LATIN PERCUSSION Bongos with stand
- (1) LATIN PERCUSSION14” Djembe
- (1)ROLAND SPD 20 Midi Trigger Pad
- Assorted hand toys( tambourines, cow bells, shakers)
DJ / VJ Accessories
- (2) TECHNICS SL1200 Direct Drive Turntables.
- (2) PIONEER CDJ-1000MK2 Compact Disc Players.
- (2) PIONEER CDJ-1000MK3 Compact Disc Players.
- (2) PIONEER DVJ-1000 DVD Players.
- (1) PIONEER DJM-600 Pro Mixer.
- (1) PIONEER DJM-800 Pro Mixer.
- (1) VESTAX PMC-08 Pro Pro Mixer.
- (1) EDIROL V4 Video Mixer
- In House , fixed location on stage 3 projectors with screens
LOAD IN: Load in time is to be scheduled no later than 48 hours prior to show time.
The Loading Dock / Elevator are in front of the club.
The Elevator is rated @ 1400 Lbs.
Maximum door-to-door depth is 5 FEET.
