Production Information

SOUND and LIGHTING SYSTEM SPECS and BACKLINE INVENTORY

updated 12/09/09

MAXIMUM SPL: The Belly Up ASPEN must maintain a strictly enforced maximum sound pressure limit of 105 dB (average) to 110 dB (max).
This limit shall be measured by the calibrated house SPL meter.

TECHNICAL INFORMATION:

FRONT OF HOUSE SYSTEM:
Consisting of, but not always limited to the following equipment:

CONSOLE:

AMEK RECALL RN56 (48 mono, 8 Stereo, 12 Aux, 8 Analog Subs, 8 Matrix, 8 Mute groups, 8 VCA Masters and Virtual Dynamics on all 56 channel strips)

FOH NEAR-FIELD MONITORS:

MEYER UPJ-1P ceiling mounted active 2 way system.

EQ:

(3) BSS FCS-966 Stereo 1/3 Octave Equalizers (one for Headliner, one for Opener, one patchable).

DYNAMICS: (hardware)

  • (4) BSS DPR-404 quad comp, (4) BSS DPR-504 quad gate
  • (2) BSS DPR 901ii multi-band compressor.
  • WAVES MAXXBCL Digital 96K/24 bit processor on main l/r inserts of FOH desk.

EFFECTS:

  • (1) TC Electronic D2 Digital delay
  • (2) TC Electronic M1 Digital Reverb
  • (2) Yamaha SPX2000 Digital Multi-processor
  • (1) EVENTIDE H3000 Ultra-Harmonizer
  • OTHER: (1) HHB CDR 830 PLUS CD R/W, (3) CLEAR COM between FOH, MONITORS and LIGHTS .

MAIN SPEAKER ARRAY:

  • DETAILS:
    (8 Total, 4 per side) QSC Isis Wideline with (4 Total, 2 per side) QSC 215PCM Processing Powered Sub Woofers.
  • POWER: Per Side POTENTIAL 7400 Watts; Subs: 2200 Watts; LF,MF and 1300 Watts HF (Approx. 10,900W per side).
  • CONTROL: (2) QSC BASIS 904 DSP Engines w/ proprietary DSP design w/ RAVE 161 front end.
  • CONFIGURATION:The Sub woofers are isolated and under the stage in two groups of two, Stage Right and Stage Left.
  • The Full Range Boxes are in two groups of four, hung just past the down stage perimeter, Stage Left and Stage Right.
  • Flexibility: MONO SUB FEED, Subs-With-Stereo (full range) or a SUPPLEMENTAL Sub add in WITH Stereo.

DELAY SPEAKER SYSTEM:

  • (2) QSC WIDELINE WL3082:
  • Ceiling mounted 3 way Tri-Amplified carbon fiber cabinets accessed from 2 FOH Matrix Feeds.
    *POWER provided by 3 QSC PLX3402 ( 1 channel per driver) .
    *PROCESSING provided by QSC SC28 System Controller.

STAGE MONITOR SYSTEM:

  • CONSOLE: Soundcraft SM20/52 52 inputs, 20 mixes.
  • POWERED MIXES: (12) (9 wedge, 2 side fill, 1 drum )AND (1) CUE WEDGE
  • AMPLIFICATION:
    (13) QSC PLX3402 amplifiers (700 watts/channel@8 ohms)
  • (one channel per driver in the Wedge monitor system and 3 way mid & hi)
    (2) QSC POWERLIGHT 4.0 amplifiers(900 watts/channel @8 ohms) for 3 way monitor SUB channels
  • PROCESSING:(4)DBX 480 Digital Speaker Processors w/ 480R Remote Control Head.
  • MONITORS: (13) RADIAN RMW1152 MicroWedge (including Cue) each with (1)15" driver & (1) Co-Axial 2" compression driver(bi-amped)
  • (4)RADIAN RMW1122 MicroWedge each with (1) 12" Woofer and (1) 2" HF compression driver that are used with
  • (2) RADIAN RPS-115 15" Sub woofer (Side Fill subs).
    (2) as Drum Fill subs.
  • (4) QSC ISIS 152M 2 way carbon fiber cabinets (lf/hf for drum and side fills – front fills as required)
  • MONITOR EFFECTS: (1) TC Electronic M1 Digital Processor.
  • MONITOR DYNAMICS: (2) PRESONUS ACP-88 8 channel gate/comp.

MICROPHONES:

  • (2) AKG 414, (4) AKG C430, (2) AUDIX D6, (6) SENNHEISER E609 SILVER , (4)SENNHEISER MD421II, (2) SHURE BETA 52, (2) SHURE BETA91
  • (5)SHURE BETA57A, (6)SHURE SM57, (6) SHURE SM58 ,
  • SHURE BETA 58A, (4) SHURE SM81LC
  • (8) SHURE BETA98DS,(2) SHURE U24D/58 Wireless (4 channels)

DIRECT BOXES:

  • (8) BSS AR-133 DI , (8) WHIRLWIND IMP-2 DI
  • (1) AVALON U5

HARDWARE:

  • (10) MS20E ATLAS MIC STAND,(8) MS10CE ATLAS MIC STAND,
    (8 ) DMS10E ATLAS MIC STAND
  • (2) AMS25 ATLAS MIC STAND, (18) 21100B ULTIMATE SUPPORT BOOM ARM

STAGE LIGHTING:

  • CONTROLLER: AVOLITES EXPERT (TITAN OS) w/15"LCD Monitor.
  • UPSTAGE FIXTURES:
  • 8 – ELATION DESIGN Spot 300 Pro
  • 10 – ALTMAN SS-PAR-100 Spectra-Par LED
  • 3 – ACL Bars (4 × 250 W)
  • 2 – MARTIN Atomic 3000 Strobes
  • DOWNSTAGE FIXTURES:
  • 6 – ELATION DESIGN Spot 300 Pro
  • 10 – ETC Source Four PAR-64 @575W (mag, blue, amber, lavender, no color)
  • 4 – JAMES THOMAS PixelLine MICRO W
  • 6 – ETC Source Four Ellipsoidal w/iris @575W
  • FLOOR SUPPORT:
  • 6 – ELATION DESIGN Spot 300 Pro
  • 4 – JAMES THOMAS PixelLine 1044
  • 2 – MARTIN Atomic 3000 Strobes
  • 2 – MARTIN MAC 550
  • DISCO FIXTURES:
  • 2 – MARTIN Wizard Extreme.
  • DIMMERS:
  • 4 – ETC 12 X 1.2kw SmartPack (57,600w of Dimmer capacity).
  • HAZE:
  • 1 – JEM ZR 24/7 Pro Hazer w/DMX and Digital Remote Control
  • 1 – LA MAITRE Radiance Hazer (water based fluid).

STAGE POWER:

  • PERIMETER; (2) 110-volt/20 amp circuits distributed as down stage left and right of center and mid stage left and right on “floaters”.
  • UPSTAGE; (6) 110 volt/20 amp circuits distributed up stage left and right on “floaters”.
  • UPSTAGE; (1) 208 volt, 3 Phase , 100 AMP Service on CAM-LOC’s.

OUR IN HOUSE BACKLINE:

GUITAR AMPLIFIERS:

  • (2) FENDER 65 Re-issue Twin Reverb
  • (1) FENDER Blues Deville 4X10
  • (1) MARSHALL JCM-2000 50 Watt w/ slant 4X12
  • (1) ROLAND Jazz Chorus 120

BASS AMPLIFIER:

  • (1) AMPEG SVT-2 PRO w/ SVT 810 Speaker enclosure

KEYBOARDS:

  • (1) HAMMOND B3 organ w/25 position bass pedals and (1) LESLIE 122 speaker cabinet
  • (1) RHODES Mark I Stage Piano (88) / Speakeasy Stereo Preamp
  • (1) KORG M1 Keyboard
  • (1) KORG Triton EXtreme 76
  • (1) ROLAND RD-700 Keyboard / Controller
  • (1) YAMAHA MOTIF ES-8 Keyboard / Controller w/ 512 Mb sample RAM
  • (1) NORD Lead IIx
  • (2) APEX 2 Tier Stands
  • (2)" X" Stands, single tier
  • (2) “X” Stands, 2 tier w/ adjustable angle and spread on top tier

DRUMS AND PERCUSSION:

DW “RED ONYXCUSTOM RECORDING KIT:

  • KICK DRUMS – 20 × 22 and 17 × 24 (depth x size)
  • MOUNTED TOMS- 10", 12", 13", 14"
  • MOUNTED /W LEGS- 16", 18"
  • DW 5000 Series single (2) & Double Kick Pedals (1)
  • DW 9000 Series Boom Cymbal Stands (9)
  • DW 9000 Series Hi Hat Stands (2)

YAMAHABLACK SPARKLE LACQUERMAPLE CUSTOM ABSOLUTE NUVO KIT

  • KICK DRUM 22"
  • MOUNTED TOMS 8", 10", 12"
  • FLOOR TOMS 14", 16" W/LEGS

SNARES

  • (6 × 14) DW Maple, (3 × 14) DW Brass , (5.5 × 14) Ludwig Black Beauty

CYMBAL COMPLIMENT

  • ZILDJIAN
    one each “A” Custom 20" Ping Ride, 19" Projection Crash, 18" Medium Crash, 16" Medium Cash, 14" Medium Crash and 10" Splash.
    One Set 14" MasterSound Hi Hats.
  • SABIAN
    one each AA Rock Ride 21”, AAXplosion crash 18”, Chinese 18”, HH Rock Crash 18”, Metal-X Splash 10” and One Set AAX Stage Hats 14”

PERCUSSION:

  • (1 set) LATIN PERCUSSION Timbales,
  • (1 set) LATIN PERCUSSION Congas, Natural Finish inclusive of 1 each Conga, Tumba and Quinto with 3 floor stands.
  • (1 set) LATIN PERCUSSION Bongos with stand
  • (1) LATIN PERCUSSION14" Djembe
  • (1) ROLAND SPD 20 Midi Trigger Pad
  • Assorted hand toys( tambourines, cow bells, shakers)

DJ / VJ ACCESSORIES:

  • (4) TECHNICS SL1200 Direct Drive Turntables.
  • (2) PIONEER CDJ-1000MK2 Compact Disc Players.
  • (2) PIONEER CDJ-1000MK3 Compact Disc Players.
  • (2) PIONEER DVJ-1000 DVD Players.
  • (1) PIONEER DJM-600 Pro Mixer.
  • (2) PIONEER DJM-800 Pro Mixer.
  • (1) VESTAX PMC-08 Pro Mixer.
  • (1) RANE TTM-56 Mixer.
  • (1) EDIROL V4 Video Mixer
  • In House , fixed location on stage 3 projectors with screens

LOAD IN: Load in time is to be scheduled no later than 48 hours prior to show time.
The Loading Dock / Elevator are in front of the club.
The Elevator is rated @ 1400 Lbs.
Maximum door-to-door depth is 5 FEET.

View Stage Photos and Major Dimensions

View Lighting Plot