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Frankenstein Brothers featuring Biography
Frankenstein Brothers is a collaboration between guitarist Buckethead and multi-instrumentalist That1Guy.
Buckethead is one of the most bizarre and enigmatic figures in American underground and experimental music since Parliament-Funkadelic birthed their bevy of cosmic characters in the mid-‘70s. An accomplished multi-instrumentalist best known for his virtuosic command of the electric guitar, Buckethead is one of the instrument’s most recognizable contemporary innovators, his rapid-fire riffing, near-robotic fretwork, and idiosyncratic lead lines combining elements of Yngwie Malmsteen, Adrian Belew, Slayer‘s Kerry King, P-Funk‘s Eddie Hazel, and avant-improv artist John Zorn‘s Scud-attack sax abuse. In 2008, he realeased Bolt On Neck, a collaboration called Frankenstein Brothers with That 1 Guy. As the one-man band known as That 1 Guy, Mike Silverman plays an instrument of his own invention, which he calls “the magic pipe.” After growing frustrated with other instruments, he designed it over the course of a month spent haunting hardware stores, collecting odd lengths of pipe and tools with the manic fervor of Richard Dreyfuss’ character in Close Encounters of the Third Kind.
Wolff and Tuba Biography
A Boy and his Tuba
Brian Wolff first discovered the tuba at a music store in Austin, Texas. It was the summer of 1994, one of the hottest July’s on record. And Wolff, whether deranged by the heat or the instruments sumptuous curves and shiny bell, knew instantly and inexplicably that he would dedicate the rest of his life to the pursuit of Tuba Stardom.
Knowing little of the tuba itself, he had few preconceived notions of the tuba’s roll in music and thus was under the impression that, as a creator of sound, the tuba had no limitations at all. Wolff quickly dove in, starting a band with old friend Tony Nozero. They called themselves Just Drums and Tuba. Soon they added a guitar player and summarily dropped the “Just” from their name.
The band developed a visceral blend of old brass and new electronics, and toured the world extensively with Cake, Primus, Ani DiFranco among many others, building a fierce underground following in the process. But as over 50% of the marriages in the United States are wont to do, Drums and Tuba eventually packed it in and went their separate ways.
Determined to strike out on his own in pursuit of the aforementioned Tuba Stardom, Wolff conceived of a solo act appropriately entitled “Wolff.”
He returned to New York and barricaded the door to his apartment, emerging only after he had perfected a solo electronic tuba rock show whereby all sounds were produced by, with, through, and on the tuba, created live by banging, beat-boxing or singing through it, and playing in a conventional manner. With the use of loop pedals, Wolff was able to tie all these disparate sounds together, forming music that was both out there (somewhere) and yet rooted in traditional song structures and strong melodies.
Soon enough, Wolff was joined by drummer Steve Garofano (Triple Delight and Vic Thrill), recently displaced from New Orleans by Hurricane Katrina. As a duo, Garofano and Wolff made an instantaneous connection, carving out a sound somewhere between rock and dance music, with Garofano’s drums countering Wolff’s Tuba-centric loops. The two have honed their sound at delirious late-night shows at Pianos every Friday and Saturday.
Wolff’s friend David Harris once said there was a mythical brass ceiling in the sky that dictated how big a star you could become when you dedicate your life to playing the tuba. In this prophecy, Wolff would some day wrestle with those demons in the sky, shattering that brass ceiling. Not coincidentally, Wolff’s new album, recorded by the legendary Paul Mahajan and Mark Ephraim (TV on the Radio, The Yeah Yeah Yeah’s) is entitled The Brass Ceiling.